Paul McCartney’s Bass Playing

A personal foible I know, but I’ve always been of the opinion that of the Beatles, Paul McCartney was the only one anything special in the way he actually played his instrument.

The others are perfectly acceptable jobbing musos but as guitar players (and drummer of course) really nothing unusual. As songwriters, as a band, as singers even, yes, but not in the workaday sense of the way the instruments themselves were played.

Kim du Toit (who was a bass player) agrees and so apparently does Daniel Levitin, a Professor of psychology and music:

The Beatles incorporated classical elements into rock music so
seamlessly that it is easy to forget that string quartets and Bach-like
countermelodies and bass lines (not to mention plagal cadences) did not
always populate pop music.

So now I know why, all those plagals.

In

4 responses

  1. Chris Avatar
    Chris

    Professor Levitin’s comments don’t say anything about whether McCartney was a good bass player in the Beatles (I agree, he was.) They’re respectively about the handling of orchestration, polyphony and harmony. You could be innovative in those areas, and still play your instrument badly.
    Tim adds: OK; fair point, but once you get past a certain level of purely physical ability (Think GradeVIII or so) then whether you are playing well or not is a function of which notes you choose, which is rather what I meant.

  2. as a bass player – he kicks ass man!

  3. paul’s bass is as ever under-rated, and of course is years ahead of the curb.

  4. Oh yeah, Paul is the most influential bass player of all time because he changed the way the instrument was played and perceived. His innovations of “lead bass” opened the door for all peers. Rock bass players began emerging in the mid-sixties and began feeding off each other, but they specifically had Paul to thank – he was leading the way. Paul always designed the perfect bass melody in all of their songs, but OMG – if you want to hear “chops” on top of perfection – listen closely to the likes of ‘Hey Bulldog,’ ‘Rain,’ ‘Something,’ or the heavy Jazz influence in ‘Everybody’s Got Something To Hide Except For Me And My Monkey,’ or the progressive Bass in ‘I Want You’ that influenced the Progressive-Rock movement. The Master. Or as Sting says: “The Guvnor.”

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