Sarah Joseph.

Interesting article in The Guardian:

The battle is set, of religious extremism versus freedom of speech.
These are the lines drawn, or so we are told, in the escalating
tensions worldwide surrounding the airing of Jerry Springer: The Opera in Britain and elsewhere in Europe.

Although the media is only now
picking up on this story, my inbox has been receiving messages about this show for weeks. The messages range from high-pitched to very
thoughtful, but not one of them says, "Yeah, whatever … "

There’s no apathy surrounding this issue. This is because of the love
felt for the Redeemer and religious norms in Christianity. But also because it
feeds into profound feelings of disempowerment, fear and insecurity
among Christians that Europe would do well to understand. In Britain, we
should realise that Christians here will be angry if the show is
gratuitously aired on British TV – not just because of the
insults to Christ, but because it makes them feel disempowered.
Protesting is the only way to regain some self-respect.

First,
the easy part. Any insult to Jesus, however temperate, is not
allowed. There are many images of him in Christian history, and these are show him in many forms but all are respectful. This applies not only to images
of Jesus: all prophets are so depicted. There are many images of God
in Christianity as well.

So there is hurt and anger, and the messages I
receive reflect that. In response, they suggest different approaches.
One is through lobbying: distributing the phone numbers of the BBC, the British ambassador, UK Parliament
and everything else British, and urging Christians to make their feelings
known. We also have the boycott approach – "the only language they understand" – listing every British product that one can buy. I also
get messages from the great optimists, suggesting we use the
controversy to explain the real nature of Christ, who returned
insults with kindness. Indeed, Christians would do well to remember that.

I
have also been receiving other messages. These are the most worrying,
and the ones of which Europe must take note. These are the messages of
resignation. The messages that discuss exit strategies. The messages
that question the very future of Christians in Europe.

Why such
hand-wringing over a TV show? The key is in the images themselves: Christ swearing, Jesus as fallible man, as hypocrite. These are the stereotypes that, as Christians, we
face daily. The looks on the tube, the suspicion, the eyes on the bags
we carry. There is no denying the feeling of being pushed against a
wall, of drowning in the stereotypes that abound. This is no way to
live, and it is certainly no springboard for making a major
contribution to the society you live in.

The messages to my inbox
of resignation, of fear, come with good reason. Some countries that
have broadcast the show – Spain, France, Italy and Germany – have a
nasty history of fascism. Just last week we had Holocaust memorial day.
The Holocaust did not occur overnight. It took time to establish a
people as subhuman, and cartoons played their part. Does Europe not
remember its past and the Nazi propaganda of Der Stürmer?

Now the
great shape-shifter of fascism seems to have taken on the clothes of
"freedom of speech". If this show were designed to provoke Christian fundamentalists, maybe they have done more to reveal the prejudices of
Europe. Europe has a history of turning on its minorities. Will that be
its future too?

Not quite what I’d expect from that paper but better late than never I suppose.

Tag

The cartoons are here, BTW.

11 responses

  1. “Why such hand-wringing over a TV show? The key is in the images themselves: Christ swearing, Jesus as fallible man, as hypocrite.”
    It’s very easy to image Jesus swearing.
    Man: What’s your name?
    JC: Jesus Christ!
    😉

  2. errm… tim?
    I rather disagree with this.
    Firstly, her allegory is not correct:
    “There are many images of him in Christian history, and these are show him in many forms but all are respectful. This applies not only to images of Jesus: all prophets are so depicted. There are many images of God in Christianity as well.”
    Much of the complaint is based on the idea that is not even allowed to depict Mohammed AT ALL, respectfully or otherwise, since to do so might encourage idolatry. This is an absolutely essential point: the JP publication arose from the fact that illustrators were afraid of receiving death threats for exactly this: respectful images.
    With this in mind, the rest of the allegory falls apart completely.
    “If this show were designed to provoke Christian fundamentalists, maybe they have done more to reveal the prejudices of Europe. Europe has a history of turning on its minorities. “
    This is nonsense. These cartoons were published because the minority was attempting to override the tolerance of the majority.
    She is suggesting that Muslims in Europe really should fear. In reality, it is the Danes that have recognised that too much has ALREADY been conceded.
    This article is really badly wrong headed and for EXACTLY the same reason that the Guardian leader misses the point.
    The context to the original JP publication is key and it is being lost in the hysteria.
    Tim adds: Errm, PG. Not sure if you clicked through to the link to the main article. The real one. I think you’re reading a little too much into my taking a cheap shot.

  3. E. Albert Avatar
    E. Albert

    Nice one, Tim. There was a weird disconnect as I read through the above: could this really be appearing in The Guardian? And then I clicked on the link and everything was all right in the world and I could rest content that The Guardian will never cease in its appeasement of Muslim apologists and never desist in its disparagement of Christians. Phew!

  4. Tim,
    I am SUCH an arse.
    I had creditted the Grauniad with at least some semblance of intelligence.
    What a totally schoolboy error.
    My bad.

  5. dsquared Avatar
    dsquared

    I am not sure what the point is here. The article makes as much sense with the words changed as it did in the original, apart from the implied factual claims (that Christians are an oppressed minority, that Christians face racism and prejudice wherever they go, that there is even the remotest possibility of systematic persecution of Christians in Spain, Germany and Italy) aren’t true in your version.

  6. What PG said.

  7. It does make exactly as much sense in both versions, Muslims not being oppressed in the west any more than Christians. But Al Guardian would never ever print anything supportive of Christians, but they are only too happy to lend their support to Islamists.

  8. The Remittance Man Avatar
    The Remittance Man

    Apart from the one about there being no virgins left in heaven (could Stevenage really be heaven?) I didn’t understand any of them. Not funny, not artistic, not legible; Can’t see what the fuss is all about actually.
    Still, that’s no grounds for the nutters to threaten to bring down fire and brimstone on the harmless vikings for publishing the pictures though. And I do agree that it would be nice to see some of the Brit papers showing some intestinal fortitude on the issue.
    RM

  9. Cartoon roundup

    I’ve been too busy to blog the last couple of days, and when I haven’t been busy, Ive been dead dog tired – the boys has been home from school with a virus that’s been doing the rounds and I’ve…

  10. What was the point of making these pictures of our beloved prophet Muhammad peace be upon him?
    In Islam we dont make pictures of any other prophets. We respect all prophets, Jesus, Moses, Abraham. In our religion, even if you made pictures of these prophets, it would be considered a big sin.
    We respect all religions, yet why dont the people who drawed what they did respect ours?
    Moreover, why not write about our prophet peace be upon him from true sources? if you really learn about this Prophet, you will see what a mercy he was to mankind.

  11. you stupid like your blog idiot go dance to your church lady man and lesbian women

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